Pandora in musicality1/13/2024 Here, we introduce a model of musical preferences based on listeners’ affective reactions to excerpts of music from a wide variety of musical genres. Individuals demonstrate manifestly different preferences in music, and yet relatively little is known about the underlying structure of those preferences. Smart music buyers love the free music and do not purchase or download.Music is a cross-cultural universal, a ubiquitous activity found in every known human culture. Radio stations pay us 8.5 cents per play. Stand to gain reasonable payment for artistic endeavors.Ħ3 streams – $.06 cents. We believe CD Baby should unite with the others who have taken a ![]() Same trend, it’s a serious loss in income to people who are not beingĬompensated properly for streamed and free music. If this trend continues throughĢ016, being down 33% in CD Baby income is not good.Īnd we’re only one company on CD Baby – if other musicians, recordĬompanies, independent performers, etc. Only at 67% of the same quarter last year.Ģ015 was down slightly from 2015, and I’m guessing that if we had notĪdded additional titles during 2015, the difference A look at our earnings (and therefore the earnings of CD Baby too!)ĭemonstrates that through the first quarter of 2016, our revenues are Our income has been adversely affected by the policies in place right That is being streamed – whether for a very small price per stream or for free.Īt Dynamic, where we have many, many recordings available on CD Baby, ![]() However, Pandora, Spotify, etc do not pay the song writers much.īroadcast radio pays us 8.5 cents per play.Īs you know, there is a lot of discussion regarding the fair payment Metrics & Research Glenn Peoples, Pandora In all this research, Peoples used the total audience tracked by Nielsen for the terrestrial stations, presumably smoothing out the difference between radio’s one-to-many model, and Pandora’s one-to-one model of track spins. In those examples, the song got more spins in Pandora. The article continues with other case studies, where songs had identical or nearly identical rankings in the terrestrial and Pandora playlists. The point is laid out like this: “Traditional country radio can be very powerful to a handful of stars while Pandora provides more opportunity for a larger number of country artists to get heard.” Glenn Peoples calls personalized online radio “democratic” in this regard. In the Pandora playlist, it’s about five times as many, so the #60 artist gets greater exposure. Oddly, the article was published in Medium, not on one of Pandora’s blogs.)Īs the chart shows, there is a wider difference between #1 and #60 in terrestrial spins - there can be 50 to 100 times more for #1 than for #60. ![]() (This article is by Glenn Peoples, ex-Billboard staff writer who recently took a role in Pandora in Music Insights and Analytics. The mini-study compared number of spins for the #60 song on Pandora’s today’s Country playlist, compared to spins for the #60 spot on Billboard’s Country Airplay chart. ![]() Here’s the data graphic explanation follows below: Pandora has released a little burst of data demonstrating that landing on a Pandora station gives an artist more exposure than landing on a terrestrial playlist - when the artist is up-and-coming but not there yet.
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